Project Team
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Dodds & Shute, Floorstory, Menu, Cassina, Arflex, Blä Station, Atelier Areti, Matiazzi, Fogia, Very good and proper, Tradition, Schönbuch, Carl Hansen, Richard brilliant Willing, Marset, Santa & Cole, Zanotta, Massproductions, Andreu World, Vitsoe, Artek, Sedilia, Flos, Lapalma, Heerenhuis, Fredericia, Knoll, Gubi, Vitra, Herman Miller, Speirs Major, Gustafs, Chroma, Mosa, Ege carpets, Ratio workshop, Mundy Veneer, Planet Partitions, Rimex, Vescom , Copper , Thirdway, Dodds & Shute, EEP
Text provided by Universal Design Studio
Universal Design Studio’s design for Copper’s new HQ departs from traditional financial settings whilst reimagining Richard Rogers’ iconic Broadwick House. Designed to reflect Copper’s role in digital asset technology, the interiors balance traditional banking design archetypes with modernity. Natural materials like walnut and marble evoke trust, while stainless steel and dynamic lighting embrace the digital age. Recurring motifs including a dramatic gridded light ceiling that is seen on arrival, which repeats in meeting spaces throughout the building. Inspired by cinema and film, the grid is also used as a signifier for spaces that clients are invited into. A bar and hospitality area on the top floors overlooks Soho, while akin to a members’ club, the striking marble bar is juxtaposed against brushed steel and leather banquettes.
Universal’s design ethos harmonises physical and digital realms, and to anchor Copper’s presence in Soho, the exterior features a dynamic ‘Copper curtain’ created with Speirs Major. Through surveys and questionnaires from the young, rapidly growing company, the Universal team gained insights that informed the design process, resulting in a highly functional and adaptable central core. The studio also engaged with experts such as the Materials Council to help curate the material selection for flooring and cladding, to propose sustainable materials whilst prioritising local sourcing.
Photography: Ed Reeve
Photography: Ed Reeve